{"id":17407,"date":"2001-02-06T15:04:10","date_gmt":"2001-02-06T15:04:10","guid":{"rendered":"http:\/\/www.abeatrecords.com\/music\/shop\/import-placeholder-for-90001\/"},"modified":"2022-05-30T09:50:29","modified_gmt":"2022-05-30T07:50:29","slug":"prism","status":"publish","type":"product","link":"https:\/\/www.abeatrecords.com\/music\/shop\/prism\/","title":{"rendered":"Prism"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Artists<\/h3>\n

Don Friedman<\/a> piano<\/p>\n

Marco Ricci<\/a> doublebass<\/p>\n

Stefano Bagnoli<\/a> drums<\/p>\n

[\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n

Tracklist:<\/h3>\n

01 <\/span><\/span>PRISM\u00a0<\/b><\/span><\/span> K.Jarret 7:58<\/span><\/span><\/p>\n

02 I<\/strong><\/span><\/span>‘LL REMEMBER YOU <\/b>J<\/span><\/span>.Mercer\/V.Schertzinger 8:44<\/span><\/span><\/p>\n

03 N<\/strong><\/span><\/span>2 <\/span><\/span><\/strong>M.Ricci\/Ed abeat\/ 6:52<\/span><\/span><\/p>\n

04 <\/span><\/span>WALTZ FOR MARYLIN <\/b><\/span><\/span>D.Friedman 7:55<\/span><\/span><\/p>\n

05 <\/span><\/span>I VECCHIETTI DEI NOSTRI CUORI <\/b><\/span><\/span>S.Bagnoli 5:32<\/span><\/span><\/p>\n

06 <\/span><\/span>FROM A TO Z <\/b><\/span><\/span>D.Friedman 8:33<\/span><\/span><\/p>\n

07 <\/span><\/span>ASK ME NOW <\/b><\/span><\/span>T.Monk 8:39<\/span><\/span><\/p>\n

08 <\/span><\/span>KATIA’S WALTZ <\/b><\/span><\/span>M.Ricci 5:00<\/span><\/span><\/p>\n

09 <\/span><\/span>CIPI <\/b><\/span><\/span>S.Bagnoli 6:58<\/span><\/span><\/p>\n

[\/vc_column_text][vc_single_image image=”16451″ img_size=”full” alignment=”center”][vc_column_text][\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Basti ascoltare i suoi album da solista come “A Day in the City”, “Circle Waltz” e “Flashback”, vinili Riverside degli anni ’60 recensiti a cinque stelle da Downbeat per capire il perch\u00e8 il nome di Don Friedman \u00e8 spesso associato a quello di Bill Evans e perch\u00e8 oggi in Giappone, dove la cultura del jazz \u00e8 altissima, sia una vera celebrit\u00e0.
\nIn questo CD, accanto a Don Friedman troviamo in veste di co-leader Marco Ricci al contrabbasso e Stefano Bagnoli alla batteria.
\nIl progetto assume particolare spessore perch\u00e8 “Prism”, che \u00e8 il nome del CD ma anche del trio (nonch\u00e8 di una composizione di Jarrett), \u00e8 un laboratorio musicale che i tre musicisti portano avanti ormai da anni con una serie di fortunati concerti .
\nUn gioco quasi, al fine non prestabilito di sballottare l’ascoltatore tra reminiscenze Evansiane e forti impatti alla Bud Powell.\"\"You simply have to listen to some his albums like “A Day in the City”, “Circle Waltz” and “Flashback”, Riverside vinyls of the ’60ies, five stars rated by Downbeat to know why Don Friedman is a legend of jazz and why is a true celebrity in Japan, where the level of jazz culture is extremely hight.
\nIn this album, we find Marco Ricci (double bass) and Stefano Bagnoli (on the drums) as a co-leader. This project is particularly significant to “Prism”, which is the name of the trio besides the title of this album (and of a composition by K. Jarrett ). “Prism” is a music laboratory that the thre musicians have been developing for several years, with a series of successful concerts.
\nThis album is almost a game, whose unplanned goal is to drive the audience through Bill Evans atmospheres and bud Powell strong sense of swing.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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