{"id":17582,"date":"2018-06-11T15:05:08","date_gmt":"2018-06-11T15:05:08","guid":{"rendered":"http:\/\/www.abeatrecords.com\/music\/shop\/import-placeholder-for-90181\/"},"modified":"2023-02-23T18:02:28","modified_gmt":"2023-02-23T17:02:28","slug":"haiku-time","status":"publish","type":"product","link":"https:\/\/www.abeatrecords.com\/music\/shop\/haiku-time\/","title":{"rendered":"Haiku Time"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Artists<\/h3>\n

Claudio Fasoli<\/a>\u00a0 <\/b><\/span><\/span><\/span>tenor & soprano sax<\/span><\/span><\/span><\/p>\n

Michael Gassmann<\/a>\u00a0 <\/b><\/span><\/span><\/span>trumpet\u00a0<\/span><\/span><\/span><\/p>\n

Michelangelo Decorato <\/a><\/span><\/span><\/span><\/b>piano<\/span><\/span><\/span><\/p>\n

Andrea Lamacchia<\/a>\u00a0 <\/b><\/span><\/span><\/span>doublebass<\/span><\/span><\/span><\/p>\n

Marco Zanoli<\/a>\u00a0 <\/b><\/span><\/span><\/span>drums <\/span><\/span><\/span>[\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n

Tracklist:<\/h3>\n

01 FIT<\/strong> 5:40 <\/span><\/p>\n

02 DIM<\/strong> 5:40 <\/span><\/p>\n

03 FAR<\/strong> 6:04 <\/span><\/p>\n

04 WET<\/strong> 6:08<\/span><\/p>\n

05 LOW<\/strong> 5:48<\/span><\/p>\n

06 BAG<\/strong> 3:48 <\/span><\/p>\n

07 SHE<\/strong> 1:42<\/span><\/p>\n

08 TRY<\/strong> 5:38 <\/span><\/p>\n

09 BOW<\/strong> 5:22<\/span> <\/b>[\/vc_column_text][vc_single_image image=”16451″ img_size=”full” alignment=”center”][vc_column_text][\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Se c’\u00e8 un artista in grado di sorprenderci ogni volta questo \u00e8 proprio Claudio Fasoli. Questa volta l’ispirazione viene presa dal Sol levante in particolare dagli HAIKU, poemi giapponesi di sole 27 sillabe (o morae) i cui codici hanno suggerito una brevit\u00e0 nei temi musicali esposti, nella lunghezza dei titoli e finanche in alcuni interventi improvvisativi. L’idea \u00e8 quella di condensare e comprimere nel minor spazio sonoro possibile dei messaggi, delle emozioni. Una carriera al servizio dell’arte dei suoni ha indicato a Fasoli la strada pi\u00f9 efficace e meno dispendiosa, per essere comunicativo in maniera diretta, efficace, potente, senza fronzoli e soprattutto “vera”. “Haiku Time” si prospetta dunque come l’ennesimo straordinario episodio di un artista che ha scritto alcune delle pagine pi\u00f9 significative del jazz italiano ed Europeo insieme ad artisti del calibro di Henri Texier, Mick Goodrick, Lee Konitz, Jean-Fran\u00e7ois Jenny Clark, Aldo Romano, Kenny Wheeler, Bill Elgart, Manfred Schoof, Michel Pilz, Palle Danielsson, Tony Oxley. Come non dimenticare poi che insieme a Franco D’Andrea, Giovanni Tommaso e Bruno Biriaco ha fondato I Perigeo.\"\"If there is an artist able to surprise us each time, this is precisely Claudio Fasoli. This time the inspiration is taken from Japan in particular by the HAIKU, Japanese poems of only 27 syllables (or morae) whose codes suggested a brevity in the exposed musical themes, in the length of the titles and in some improvised interventions. The idea is to condense and compress in the smallest possible sound space some messages and emotions. A career at the service of the art of sounds has shown Fasoli the most effective and least expensive way to be communicative in a direct, effective, powerful, way and above all “real”. “Haiku Time”, therefore, looks like a new extraordinary episode of an artist who has written some of the most significant pages of Italian and European jazz together with artists such as Henri Texier, Mick Goodrick, Lee Konitz, Jean-Fran\u00e7ois Jenny Clark, Aldo Romano , Kenny Wheeler, Bill Elgart, Manfred Schoof, Michel Pilz, Palle Danielsson, Tony Oxley. How to not forget that with Franco D’Andrea, Giovanni Tommaso and Bruno Biriaco founded the Perigeo.<\/p>\n

Fasoli is not trying to describe anything specific with this music, only intense feelings. Each of the seven cuts in fact has its own unique expressive mood.
\n(Trad. Lawrence G.Smith)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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