\n<\/span><\/span>Jesper Bodilsen<\/a>\u00a0 <\/b><\/span><\/span>doublebass
\n<\/span><\/span>Martin Maretti Andersen<\/a>\u00a0 <\/b><\/span><\/span>drums<\/span><\/span>[\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n
Tracklist:<\/h3>\n
01 In cerca di cibo, da “Pinocchio”\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiorenzo Carpi 3,50<\/span><\/p>\n 02 La madre, da “Incompreso”<\/strong> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Fiorenzo Carpi 5,42<\/span><\/p>\n 03 Equinozio da “Bianco vestito per Mariale’ “<\/strong>\u00a0\u00a0 Fiorenzo Carpi 5,23<\/span><\/p>\n 04 Il prete bello\u00a0 Fiorenzo Carpi 5,17<\/span><\/strong><\/p>\n 05 Lucignolo Fiorenzo Carpi 6,26<\/span><\/strong><\/p>\n 06 Geppetto, da “Pinocchio”<\/strong> Fiorenzo Carpi 6,00<\/span><\/p>\n 07 Gioved\u00ec Antonio Zambrini<\/strong> 4,36<\/span><\/p>\n 08 Notte Italiana<\/strong>\u00a0 \u00a0Fiorenzo Carpi 4,44<\/span><\/p>\n 09 Zazie dans le Metr\u00f2 <\/strong>\u00a0Fiorenzo Carpi 3,54<\/span><\/p>\n 10 Moby Dick\u00a0 <\/strong>\u00a0Fiorenzo Carpi 7,39<\/span>[\/vc_column_text][vc_single_image image=”16451″ img_size=”full” alignment=”center”][vc_column_text][\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Fiorenzo Carpi \u00e8 stato figura determinante, assieme a Nino Rota, Ennio Morricone, Piero Piccioni, tutti acclamati compositori di colonne sonore di celebri film italiani che fecero il giro del mondo. Il Pinocchio televisivo diretto da Luigi Comencini ha certamente segnato un’epoca anche grazie alle forza delle musiche composte in quell’occasione da Fiorenzo Carpi. …<\/p>\n","protected":false},"featured_media":13869,"template":"","meta":{"cybocfi_hide_featured_image":""},"product_cat":[2597,2784,3031,3170,3171,2667],"product_tag":[2628],"_links":{"self":[{"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/product\/17587"}],"collection":[{"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/media\/13869"}],"wp:attachment":[{"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/media?parent=17587"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/product_cat?post=17587"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.abeatrecords.com\/music\/wp-json\/wp\/v2\/product_tag?post=17587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nAntonio Zambrini a sua volta figura centrale del panorama compositivo italiano degli ultimi anni propone questo nuovo lavoro in piano trio riarrangiando parte di questi brani, aggiungendone altri sempre appartenenti al repertorio di Carpi e componendone uno “Gioved\u00ec” ispirato alla saga stessa. Si avvale i questa circostanza di due campioni assoluti del jazz nord-europeo, Jesper Bodilsen e Martin Andersen per aggiungere una nota interpretativa estesa alla sensibilit\u00e0 di due non italiani, pi\u00f9 libera e magari imprevedibile.
\nSi mischiano cos\u00ec elementi vari fra i quali un suono acustico, mediterraneo ma anche vagamente sincopato e “americano” nei temi per “Pinocchio”, uno stile pastorale nel “Prete bello”, quello intimo e complesso di “Incompreso”, le vestigia di un certo Rock inglese di fine anni ’60 in “Moby Dick”, persino una eco di Choro brasiliano in “Notte Italiana”, stile che per altro nacque da influenze musicali nella Rio de Janeiro del primo 900. Nel complesso un progetto artistico di notevole potenza.![\"\"](\"http:\/\/www.abeatrecords.com\/music\/wp-content\/uploads\/line-void-300x30.png\")
Fiorenzo Carpi was a decisive figure in the Italian landscape, together with Nino Rota, Ennio Morricone and Piero Piccioni, all acclaimed composers of soundtracks of famous Italian films around the world. The serial Pinocchio, directed by Luigi Comencini certainly marked an era thanks to the strength of the music composed on that occasion by Fiorenzo Carpi.
\nAntonio Zambrini, in turn, a central figure as composer in the actual Italian panorama of the last few years proposes this new project, in piano-trio, rearranging part of these pieces, adding others always belonging to Carpi’s repertoire and composing one “Gioved\u00ec” inspired by the saga itself. In this circumstance Zambrini ha chosen, as collaborators, of two absolute champions of North-European jazz, Jesper Bodilsen and Martin Andersen to add an interpretative note freer and perhaps unpredictable thanks the sensitivity of two non-Italians great musicians.
\nIn the repertoire you could recognize a certainly mediterranean sound but also a sycncopated “american” acoustic sound (the “Pinocchio” songs), traces of some british Rock music from the late 60’s (“Moby Dick”), but also the pastoral style of “Il prete bello”, the intimate harmonic conception of “Incompreso”. With “Notte Italiana” a brasilian Choro’s approach.. as a matter of fact, Italian Opera was among various elements that led to Choro’s birth in Rio De Janeiro, in early 20th Century. Overall, an artistic project of considerable power.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"