drums<\/span><\/span><\/p>\nGaia Sereno\u00a0 <\/b><\/span>violin<\/span><\/span><\/p>\nLuca Madeddu\u00a0 <\/b><\/span>violin<\/span><\/span><\/p>\nAndrei Imbrea\u00a0 <\/b><\/span>viola<\/span><\/span><\/p>\nTommaso Cavallo<\/b><\/span>\u00a0 cello<\/span><\/span><\/p>\nLorenzo Mameli\u00a0 <\/b><\/span>flute<\/span><\/span><\/p>\nSara Barroero\u00a0 <\/b><\/span>clarinet<\/span><\/span><\/p>\nMattia Botto\u00a0<\/b><\/span> french<\/span> <\/b>horn<\/span><\/span>[\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\nTracklist:<\/h3>\n
01<\/span><\/span><\/span><\/strong> cHRISTMAS eVE <\/b><\/span><\/span><\/span>6.35<\/span><\/span><\/span><\/p>\n02<\/span><\/span><\/span><\/strong> Passi leggeri <\/b><\/span><\/span><\/span> 6.48 <\/span><\/span><\/span><\/p>\n03<\/span><\/span><\/span><\/strong> ARIETIS AETAS <\/b><\/span><\/span><\/span> 6.51 <\/span><\/span><\/span><\/p>\n04<\/span><\/span><\/span><\/strong> sundial time <\/b><\/span><\/span><\/span>7.22<\/span><\/span><\/span> <\/b><\/p>\n05<\/span><\/span><\/span><\/strong> Ammore <\/b><\/span><\/span><\/span> 4.52<\/span><\/span><\/span><\/p>\n06<\/span><\/span><\/span><\/strong> Il valzer di sofia <\/b><\/span><\/span><\/span>6.55<\/span><\/span><\/span> <\/b><\/p>\n07<\/span><\/span><\/span><\/strong> PASSAGGIO AD E.S.T <\/b><\/span><\/span><\/span>5.50 <\/span><\/span><\/span><\/p>\n08<\/span><\/span><\/span><\/strong> ABIDE WITH ME\/ABIDE WITH US <\/b><\/span><\/span><\/span> 7.33 <\/span><\/span><\/span><\/p>\n09<\/span><\/span><\/span><\/strong> St. Joseph blues <\/b><\/span><\/span><\/span>6.58<\/span><\/span><\/span>[\/vc_column_text][vc_single_image image=”16451″ img_size=”full” alignment=”center”][vc_column_text][\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Luigi Martinale ci propone un nuovo lavoro, supportato come nel precedente, da una formidabile coppia ritmica, composta dal brasiliano Zaza Desiderio alla batteria e dal russo Yuri Golobev al contrabbasso, solista d\u2019eccezione Carlo Cocco Cantini ai sax. Un quartetto ben collaudato e che si \u00e8 fatto valere anche in ambito internazionale con riconoscimenti soprattutto in Asia.
\nAccanto a questo impianto la sorpresa \u00e8 rappresentata dal coinvolgimento di un ensemble del conservatorio Ghedini di Cuneo, diretto da Bruno Mosso. Un mirabile esempio di contaminazione e collaborazione tra un classico quartetto jazz ed un ensemble classico, quest\u2019ultimo composto da un quartetto d\u2019archi ed un trio di fiati. Il risultato \u00e8 straordinario ed alquanto suggestivo. Eleganza negli arrangiamenti, ottima vena compositiva da parte del pianista e leader Luigi Martinale, un lirismo raffinato alternato a solismi di grande impatto e creativit\u00e0. I brani, tutti originali, si susseguono con ricchezza di invenzioni e grande equilibrio melodico. Ottima registrazione con pregevolissima disposizione scenica. Ringrazieranno anche i cultori del bel suono.<\/p>\n\u201cCi\u00f2 che si sente dall\u2019insieme della loro collaborazione suona naturale, organico, inevitabile. \u00c8 insomma musica, senza scorie e senza etichette. Invidiabile\u201d.
\nClaudio Sessa
\nDocente di Storia del Jazz, Conservatorio Ghedini. ![\"\"](\"http:\/\/www.abeatrecords.com\/music\/wp-content\/uploads\/line-void-300x30.png\")
Luigi Martinale offers us a new work, supported as in the previous one, by a formidable rhythmic couple, composed of the Brazilian Zaza Desiderio on drums and the Russian Yuri Golobev on double bass, exceptional soloist Carlo Cocco Cantini on sax. A well-tested quartet that has made a name for itself even in the international arena with awards especially in Asia.
\nThe surprise is represented by the involvement of an ensemble from the Ghedini Conservatory of Cuneo, directed by Bruno Mosso. A wonderful example of contamination and collaboration between a jazz quartet and a classical ensemble, the latter consisting of a string quartet and a wind trio. The result is extraordinary and somewhat suggestive. Elegance in the arrangements, excellent compositional vein on the part of the pianist and leader Luigi Martinale, a refined lyricism alternating with solisms of great impact and creativity. The songs, all original, follow one another with a wealth of inventions and great melodic balance. Excellent recording with very valuable stage layout. The lovers of beautiful sound will also thank.<\/p>\n
“What you hear from their collaboration as a whole sounds natural, organic, inevitable. In short, it is music, without waste and without labels. Enviable”.
\nClaudio Sessa
\nProfessor of Jazz History, Ghedini Conservatory.
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