{"id":25787,"date":"2022-10-07T16:44:45","date_gmt":"2022-10-07T14:44:45","guid":{"rendered":"https:\/\/www.abeatrecords.com\/music\/?post_type=product&p=25787"},"modified":"2024-10-13T08:59:52","modified_gmt":"2024-10-13T06:59:52","slug":"breejo","status":"publish","type":"product","link":"https:\/\/www.abeatrecords.com\/music\/shop\/breejo\/","title":{"rendered":"Breejo"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Artists:<\/h3>\n

Marco Simoncelli <\/a>vocals, harmonica, keyboards, percussions, flute<\/p>\n

OSCAR TRABUCCHI\u00a0 ANDY CALIGARIS \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 DRUMS ON 1-3-5-7-8-9-11<\/p>\n

DIEGO CORRADIN\u00a0\u00a0\u00a0\u00a0\u00a0 DRUMS ON 2-6<\/p>\n

LORENZO SIMONCELLI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BASS ON 1-2-4-5-6-7-8-9 DOUBLEBASS ON 11<\/p>\n

FABIO BIANCHI \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SOUSAPHONE ON 3<\/p>\n

ALBERTO COLOMBO\u00a0 GUITAR ON 1-5-11<\/p>\n

HEGGY VEZZANO\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GUITAR ON 3-4-6-8<\/p>\n

BIAGIO STURIALE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GUITAR ON 2-7-9-10<\/p>\n

STEFANO BERTO\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PIANO ON 1-2-6-7<\/p>\n

FABIO BUONAROTA\u00a0\u00a0\u00a0 TRUMPET<\/p>\n

MARCO MICHIELETTI SAX<\/p>\n

LIVIA HAGIU\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VIOLIN<\/p>\n

DAVIDE SPERANZA\u00a0\u00a0\u00a0 HARMONICA ON 8<\/p>\n

LAURA FEDELE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BACKGROUND VOCALS<\/p>\n

VERONICA SBERGIA \u00a0 BACKGROUND VOCALS<\/p>\n

GIORGIO RANISI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 YEAH MAN ON 3<\/p>\n

VITTORIA SIMONCELLI\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VOCALS ON 7<\/p>\n

KORHAN KODAMAN \u00a0\u00a0 VOCALS ON 5<\/p>\n

[\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n

Tracklist:<\/h3>\n

\u00a0<\/strong><\/p>\n

    \n
  1. Barcode freedom\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.54<\/li>\n
  2. I miss you\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\/Biagio Sturiale \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.4<\/li>\n
  3. Green pass\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5.47<\/li>\n
  4. Joke on me\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5.34<\/li>\n
  5. Bye bye love\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boudleaux Bryant \/ Felice Bryant\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.34<\/li>\n
  6. Overall ( VLR)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.12<\/li>\n
  7. Live!\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6.25<\/li>\n
  8. Green flower street\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Donald Fagen \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.26<\/li>\n
  9. Desert\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.57<\/li>\n
  10. In the middle of the night\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\/Biagio Sturiale \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.32<\/li>\n
  11. My babe is my life\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marco Simoncelli\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 3.53<\/li>\n<\/ol>\n

    [\/vc_column_text][vc_single_image image=”15125″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Nel disco Breejo, Marco Simoncelli condensa una plurideccenale esperienza. Ne scaturisce un album, variegato, autobiografico, ironico, rappresentativo, elegante, raffinato.<\/p>\n

    L\u2019esperienza: un quarto di secolo, tra live sessions nei club sui navigli di Milano (quando Milano l’era un gran Milan) , incalcolabili ore di sale prova, concerti sopra le tavole dei palchi di blasonati festival europei, sia come side che come front man, tante ore dedicate allo studio dell’ armonica a bocca, nelle sue declinazioni blues, jazz, folk e pop.<\/p>\n

    L\u2019estetica di Marco Simoncelli non \u00e8 priva di rimandi ad una personale visione riguardo a \u201ccostume e societ\u00e0” evidenti soprattutto nel trittico di canzoni socio\/politiche \u201cBarcode Freedom\u201d, \u201cGreen Pass\u201d, \u201cJoke on me\u201d)\u00a0 in questi tempi moderni e distopici. Le modalit\u00e0 espressive sono spesso autobiografiche come in \u201cI Miss you\u201d ed altri brani.\u00a0 Un disco molto intenso, forte nell\u2019ispirazione, espressivamente potente grazie alle non comuni doti di armonicista cantante \u00a0e compositore del leader. La realizzazione \u00e8 ineccepibile, maestosamente supportata da uno spirito corale dove scopriamo nomi illustri del panorama italiano: Heggy Vezzano ( Renga, Marrone, Zilli) Fabio Buonarota (Mario Biondi) , Diego Corradin ( Ramazzotti, Raf, Mannoia) , Laura Fedele ( Berte), Stefano Berto (Utez, Paola Turci), Oscar Trabucchi (Rondo Veneziano) Livia Hagiu (Rondo Veneziano, Deep Purple)\u2026.<\/p>\n

    In this album, Marco Simoncelli condenses a plurideccenal experience. The result is an album, varied, autobiographical, ironic, representative, elegant, refined. The experience: a quarter of a century, between live sessions in clubs on the canals of Milan (when Milan was a great Milan), countless hours of rehearsal rooms, concerts above the tables of the stages of renowned European festivals, both as side and as a front man, many hours dedicated to the study of harmonica, in its blues, jazz, folk and pop declinations. Marco Simoncelli’s aesthetics are not without references to a personal vision regarding “customs and society” evident above all in the triptych of social \/ political songs “Barcode Freedom”, “Green Pass”, “Joke on me”) in these modern and dystopian times. The expressive modalities are often autobiographical as in “I Miss you” and other passages. A very intense record, strong in inspiration, expressively powerful thanks to the leader’s uncommon skills as a harmonica player and composer. The realization is flawless, majestically supported by a choral spirit where we discover illustrious names of the Italian scene: Heggy Vezzano (Renga, Marrone, Zilli) Fabio Buonarota (Mario Biondi), Diego Corradin (Ramazzotti, Raf, Mannoia), Laura Fedele (Berte) , Stefano Berto (Utez, Paola Turci), Oscar Trabucchi (Rondo Veneziano) Livia Hagiu (Rondo Veneziano, Deep Purple)\u2026. Small description piece by piece Except two, all the songs, words and music are written by Marco Simoncelli. Opening in step with the times, pandemic and covid united, here is Barcode Freedom, an ironic piece with an illustrious quote You Find Yourself In Times of Trouble Mother Mary\u2026 (from Let It Be, 1970) and Beatles harmonies. I Miss You sees Simoncelli talking to himself, a dialogue of him young and more mature but it is the manifesto of the record, the piece in which he found himself giving him confidence and the desire to move forward with an openness of hope for the future. Marco is on the chromatic harmonica (he plays almost like an accordion) as well as Green Pass (in rhyme green pass badass, a bastard green pass) is in New Orleans style with Fabio Bianchi’s bass tuba. Joke On Me with a reggae rhythm, with the choruses of Laura Fedele and Veronica Sbergia and Heggy Vezzano on guitars, is always ironic and mentions some disguised characters, there is something for all tastes, political and otherwise (Little Son is the general Francesco Paolo Son) but there is no shortage of health minister Roberto Speranza (Hope), Brunetta (Little Brownie), Prime Minister Mario Draghi (Dragon), Genoese virologist Matteo Bassetti (Doctor Dachshund) in a political triptych of songs (Joke On Me , Green Pass and Barcode Freedom). Bye Bye Love is one of two covers, composed by Boudleaux & Felice Bryant (husband and wife) originally released as a single by the Everly Brothers (RCA, March 1957), Ray Charles (1962), Simon & Garfunkel (1970), George Harrison ( 1974) and in a spectacular reggae version by David Lindley in 1981 on his album El Rayo-X (Asylum Records). Simoncelli’s version is quite different, almost southern-rock, to the Lynyrd Skynyrd sung here by Marco Simoncelli and the Turkish Korham Kodaman with the excellent Alberto Colombo on guitar and the twenty-year-old Lorenzo Simoncelli (Marco’s son) on bass. Overall is in 6\/8 (six eighths) and in pure Motown style (late 60s) but at the same time a slow crooner with Stefano Berto on the piano, Marco Simoncelli always on the harmonica and Marco Michieletti on sax among others, Fabio Buonarota on trumpet and the phenomenal Diego Corradin on drums. Live! with a mixture of text in Italian and English, it is a heartfelt tribute to the homonymous motorcyclist Marco Simoncelli with 14-year-old Vittoria Simoncelli (Marco’s daughter) on vocals and Lorenzo Simoncelli (all in the family) always on bass. Green Flower Street written by Donald Fagen for the album The Nightfly (1982) is really Steeley Dan or Donald Fagen (from the continuous refrains in a jazz-pop-fusion that gives body to the syncopated, oblique and misleading trend that s ‘insinuates under the skin) with Davide Speranza in a harmonica solo, Marco Simoncelli (keyboards and harmonica), Heggy Vezzano on guitars and Oscar Trabucchi on drums. Desert has decidedly Bedouin \/ Arab sounds and is a dialogue of a Syrian and God, with the violin of the Romanian Livia Hagiu and the choirs of Laura Fedele. In The Middle Of The Night it is instead disco (disco-music from the 80s) with Marco addressing his son. Simoncelli solo voice and Laura Fedele and Veronica Sbergia (and what a couple!) In all the songs the work of Biagio Sturiale is superlative, arrangements, production, sequence and programming are by him. It ends with My Babe Is My Life, a swing-blues piece with the sax of Mario Michieletti, Lorenzo Simoncelli on double bass and Alberto Colombo on guitars.<\/p>\n

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